Project Gallery presents Wyatt Mills “Normal”

January 9, 2016

March 6, 2016

12:00 To 18:00

1625 17th St #2A, Santa Monica, CA 90404, United States

Event Description

Project Gallery is pleased to announce the upcoming solo exhibition of Los Angeles­ based painter Wyatt Mills. His newest body of work, “Normal,” confronts standard ideologies and concepts surrounding what it is to be normal in our society, letting our insecurities and neuroses whirl around in the open air instead of confining them. An opening reception will be held January 9th from 7-10 PM. The works will be on view through March 6, 2016.

Broaching concepts of normalcy, status quo, and compromise through his latest work, Wyatt Mills brings us a body of paintings and collages depicting everyday scenes that are inherently a part of living but reach into the darkest corners of our lives and splatter our inner turmoil across the canvas. Well­ rendered, distinctive figures combine with painterly abstraction to take us to a new dimension that projects our own subjective experience. Mills uses a pallet of vivid colors to add a surreal disturbance to a meditative feeling, combining classical methodology with a contemporary mindset ­ bubblegum pinks, chartreuse and violet swaths of paint, all permeated by the ultra modern pthalo blue. The application itself appears thrown across the canvas, bleeding transparencies into thick gestures visually reminiscent of a dream or memory. These works are used as catalysts, provoking us to question and expand the collective concept of normal.

The smaller scale portraits that Mills has constructed will act as individual catalysts, delving deeper into how we perceive ourselves behind the facades that we put on. We are intertwined with the world now, constantly stimulated yet blissfully ignorant. These examples of sole subjects take away the facade, seeking to understand each other’s concept of “normal,” and ultimately making a sacrifice to jump into an other’s world and mind.

The series of new paintings dominate the walls and permeate our subconscious. Combining visceral brushstrokes, anamorphic perspective, and elements of collage, Mills physically portrays the anxieties, neuroses, and personal battles swirling through his subject’s heads, forcing the viewer to confront what their concept of “normal” is, showing them who they are ­ a reflection of everything you have taken on.

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