My name performs a paradox of representation: admonishment and celebration, exoticism and familiarity, a positive record of an inclusive America or a negative report on immigration. As a US citizen and artist a catalyzing awareness awakens me to politicized forms, words, signs, and codes of identiﬁcation.
I explore this in my work by creating hybrid objects that coalesce through instability. Fusing elements of painting, photography and sculpture, each work performs ﬂuidly across mediums so that by name they exist between and among modalities. By complicating expectations of form and perception, they explore alterity and resist normative syntaxes of control embedded within ﬁxed nomenclatures.
Employing a lozenge glyph quoted from Edward Durell Stone’s Persian-esque Stuart Pharmaceuticals Building, I re-appropriate Islamic forms ﬁltered through the orientalist lens of Western Modernism. Resubmitted into a modular system that highlights variation within a standardized system I stage a queering by way of dissent: the rigidity of the grid countered by the ﬂuidity of the arc; the obdurate facade of the Minimalist object re-inscribed with the mechanics of its interior; the austere surface of Modernist architecture subverted through color and ﬁnish; the passivity of the pedestal announcing itself as proper furniture.
In turn these shifts highlight my interest in the embedded politics of representation and privileging fluid states of possibility over cohesive ﬁxedness. When form itself is unstable, entrenched systems of classiﬁcation become a site of perspectival shifts giving way to a broader ﬁeld of “others”.
Amir Nikravan (b.1983, Los Angeles, CA, lives and works in Los Angeles, CA) holds a BFA from the San Francisco Art Institute and a MFA from The University of California, Irvine. He has held solo exhibitions at Nathalie Karg, New York; Contemporary Arts Center, Los Angeles; Various Small Fires, Los Angeles; Jonathan Viner, London; Luce Gallery, Turin, Italy; and ARNDT Gallery, Singapore. He has also been the subject of solo presentations in 2015 at LISTE, Basel, Switzerland; The Armory Show, New York; and ABC Berlin. He has been included in group exhibitions at Sophia Contemporary, London, UK; SAMEK Museum, Lewisburg PA; the Museo di Capodimonte, Naples, Italy; Brand New Gallery, Milan, Italy; Greene Exhibitions, Los Angeles, CA; Pepin Moore, Los Angeles, CA; Jessica Silverman, San Francisco, CA, amongst others. Amir Nikravan is represented by Various Small Fires, Los Angeles and Nathalie Karg, New York.
A Tanit is an offering, a sanctuary, a portal. It is a space for communion.
The intention of this installation, informed by matriarchal cultures, is very simple – construct a temple. The temple proposes several questions: What is the body’s relationship to form / its relationship to emptiness? How does one perceive emptiness / how vast is emptiness?
Emptiness is a space where the ego dissolves, and within that space there is communion, clarity, and relief. It is a surrendering, a becoming-one-with the breath, the sun, the sand and the ocean. It is called luminous-awareness, and it is bright, present, blissful, jewel-like and divine.
This installation will host three community-driven healing events during its exhibition lifespan. Reiki Healing Sessions with the Artist on Opening Night, A Planetary Gong Sound Bath with Sat Purkh of Rama Institute on April 7th, and A Guided Meditation and walk-through with the Artist on April 14.
Kathryn Garcia (b. 1978, Los Angeles, CA) lives and works between Los Angeles and Ibiza. Inspired by travels to ancient and sacred sites, Garcia works in a variety of media, including site-specific performance, sculpture, and drawing. Provocative and oftentimes interactive, her works investigate the feminine archetype and its relationship to human consciousness. Early on in her career, Garcia worked on international projects with Javier Peres, Emi Fontana and Rirkrit Tiravanija, such as Daddy the Magazine (2007) Women in the City (2008), Palm Pavilion (2008) and Asile Flottant (2010). Garcia’s work has been exhibited in the US and abroad, including 356 Mission, Blum and Poe, and Harmony Murphy Gallery, Various Small Fires, all in Los Angeles; Pace Gallery, Invisible Exports, GBE, Participant, PS1-MOMA, all in NY; Ballroom Marfa, Texas; The Power Station, Dallas; Nina Johnson, Miami; Southard Reid, London; Embajada, Puerto Rico; Arredondo/Arozarena, Mexico City; and DESTE foundation, Greece.
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